Thursday, May 26, 2016

Beyond the Summit⁺


"While on top of Everest, I looked across the valley towards the great peak Makalu and mentally worked out a route about how it could be climbed. It showed me that even though I was standing on top of the world, it wasn't the end of everything. I was still looking beyond to other interesting challenges."- Ed Hillary.

The need for more is naturally embedded in the mind: more time, more space. Even on top of the highest peaks there's still the need for more, to go beyond the final frontier.


Upcoming movie, direction leads up & right into space: Beyond.

But first, let's get to the summit. The highest peaks in the world are all inside the Death Zone and connected to places beyond human existence, home to gods.


Death is what threatens the limited mind, the seemingly individual consciousness. Death itself is dead certain & gives great clarity. To reach the highest summit one needs to enter the Death Zone.


Death & high mountains are very close connected. There's a long list.

I remember feeling an upcoming real death threat for the first time upon the summit of a mountain in the alps in 2013, which I foolishly went up by accident (a hiking trip leading higher and higher): the Hoher Burgstall (I learn now from the article, that "Sir Edmund Hillary, first climber of the Mount Everest in the year 1953, marked his first summit in the Alps four years before by conquering the Hoher Burgstall."). It's very easy to ascent, yet the very last part is going directly along a ridge. That's where my knees began to buckle and I was forced to sit down, feeling an imminent death threat. In this moment I realized the presence of the summit cross being a symbol for death (the ascended dead man on the cross).


I breath deeply and walk to the other side over the ridge, still weak in the knees. The summit cross on the Hoher Burgstall also features an eight-rayed circle, pointing to the center of the cross. 


I take a break from writing this article and go up a small mountain nearby & find a summit cross having a mirror at the center, highlighted by the reflection of the sun.

Death Zone + Summit Cross: Check.


The cross is also present in Ed Hillary's famous picture on Mount Everest.

Within the Union Jack.

The cross highlights the center, the zero point of the coordinate axes.


What leads beyond from the summit points to the center.

Beyond the edge, beyond the screen leads nowhere, but now here. There's seemingly just another screen (the same screen being one consciousness). Like waking up in a dream from another dream. Waking up is a state of transcendence in the now.



The cross on the summit⁺ points at the center of all experience, which is the I.

"It is not the mountain we conquer but ourselves." - Ed Hillary

By joining the symbol for minus "-" with the "I", one gets a cross both in meaning and as a symbol: "+". 

The real death of the I is not physical, but experience = life without identification.

Not I am this or that, but clear experience of I am.

But why is that also a plus+?

Let's sum it beyond the summit⁺.

 + Resting in Peace. 
+ Ever rest.



Much love,
Nexus

Friday, May 20, 2016

Roll Up!⁺


Remember the mindblowing rolls coming up previously?


Boom! Various explosions on K2 in 2K movie Vertical Limit.


Highly explosive rolls get lifted up to K2 in a risky rescue mission to blow up a hole for entrapped mountaineers.

K2 crane lifting up some mindblowing rolls in the movie called "my life".

My mind explodes all the way up, as I remember the rolls in the given context being connected to a consciousness target described in a remote viewing session, having the greenish strangeness in the upper right, too:



The remote viewing target is represented by two upright rolls:


... and the target represented by this rolls is an angel. Oh boy!


Quick jump back to K2 & 2K Vertical Limit.


The rolls are filled with explosive snot green liquid,...


...giving ties to the remote viewing target in form, color and overall upper direction...


....- and to the unfolding K2 crane + rolls scene, having a green oak tree in the background.


K2 explosion! Good job. 
Movie mountaineers freed, mind blown. 
I feel like being dead, remotely watching all of this without being involved.

Back to remote viewing target: the angel, which also gets interviewed in the session.


The viewer concludes: "[...] In an interview, [the angel] also showed interest, non-verbal impressions, such as the "roll up to be suitable" what seems to fit his communication with non-physical entities to some descriptions of Robert Monroe, ("roll" information / energy into the appropriate form to make them compatible or mutually intelligible)."

I just received a roll from the US right before all of this happens and feel like being rickrolled by an old friend :♃)


The roll is what transports posters, information, energy, mindblowing green liquid.
Just like the role in a movie.
The role is awareness rolled.

It's a wrap, roll up⁺!


Much love,
Nexus

Tuesday, May 17, 2016

The Call⁺

Tune into the vibes (see previous post) again.

Up & right. Check? kk.

The screens are cracked and the show goes on, as the screens are still fully operational below the surface. Showtime / show time! (the flux within the now) Let's roll.

The crane truck moves even closer to my window and I just enjoy seeing the K2 crane going...up & right, perfectly framing the corner of the window.


My attention shifts to what's being lifted up there. Some materials are transported next to the K2 crane truck by a forklift, lending weight to & highlighting the "lifting up" element of the process.


I can identify some kind of rolls being lifted up & right. Rolls? Boom! Some kind of spiritual TNT starts to explode within & my already cracked mind gets completely blown up, as I'm experiencing a sync between the previously prepared memory and the unfolding of this very scene.


The memory focussed by recognizing the role of the roll in this play is the one connected to the up & right strangeness in the Remote Viewing of Consciousness Targets & roll shapes being mentioned in another rv-consciousness target (in part 3, soonish).

Let's first have a close look at the up & right strangeness, which leads the direction of this hole stream:


Up & right there's a greenish structure that looks like a jellyfish:

"After we had realized that this structure is common to all individuals whose consciousness we viewed, we became even more curious. In a number of sessions we started to examine the structures shown in the picture, which are always placed in the upper right and came to the conclusion that this kind of structure would serve as a port to the matrix or respectively the collective consciousness. In other words: It is this structure we are using when we follow our intuition, receive PSI-data consciously or subconsciously and finally for remote viewing. It seems as if we accidentally found the sender-receiver interface of the individual consciousness."

So this links smoothly to the other memory of Eye Movement and Direction & How it Can Reveal Truth or Lies triggered previously:


From the I-perspective, the eye movement up & right indicates the linking to this sender-receiver interface between individual and collective being, to the creative source where purple buffalos and any other imaginable forms are born (becoming seemingly individual) - made of & in consciousness. Not nowhere, but now here.

So in the overall context it feels like the sacred mountains (viewed as deities or home of deities) as part of the kollective konsciousness resemble an antenna: Mountennas. Sending out spiritual streams to nearby locations like Tibet and anywhere else from the upper right link to the collective consciousness.



There's a call⁺.

The stream continues in part 3.

Much love,
Nexus

Friday, May 13, 2016

Up Right, Upright⁺

Sometimes the spiritual juice that flows through the now (a.k.a. time) gets a special flavor, a different taste. The accustomed daily routine gets a funky, unexpected addition⁺.

Be me, walking from parking space to the office, reading an article on my mobile: 4 the first time in 2 years, climbers have reached the summit of Mount Everest. Nice. The movie comes to mind.


Bam! The mobile slips out of my hand and smashes on the concrete. Pick it up, quick check of the screen. It's broken in the upper corner on the right side, sending down ripples all over the screen. Surrendering to the situation is a groovy practice. I look closer and keep the location and direction of the crack in mind.


Trying to continue the daily routine - it feels already cracked, too. So far, so good. Start work. Out of the blue, a crane truck appears and things get weird. I recognize a double K on that truck and use the cracked phone to take a picture.



Again memories get triggered.


First Everest, then K2. Of course, why not? Even the music I listen to in this very moment fits the odd appearence of earth's highest peaks: Uppermost.

The closer view of the KKs on the crane truck  reveals an interesting detail (Klaas crane truck logo:).


The arrow of the KKs point to the location of the crack on the screen of the mobile which I kept in mind: up & right. 

In a chain-flash of triggered memories suddenly my mind cracks, too - which allows high awareness to flow free, silencing the mind completely as the show continues: a sync in-between the triggered memories and between what happens next (continued in part 2).

But first a slowmotion look at the triggered chain-flash memories:


Summary: 
1. KK is loaded and also connected to the 11:11 phenomenon (K being the 11th letter) - a very basic, powerful intro-sync, inducing higher awareness. 2. Λwareness is compared to the screen, which contains any content/movie, yet remains content-independent. 3. In remote viewing consciousness-targets, there regulary appears something strange in the upper right corner. 4. From the inner perspective / I-perspective an eye-movement right and up indicates the creative construction of images out of nowhere / now here.

Checklist:
1. higher awareness induced by KK
2. screens cracked, awareness of awareness established
3. up & right direction located
4. creative construction of images (continued in part 2)


Much love,
Nexus